Ruth Brown - Rock & Roll MoFi 180g MONO LP

Ruth Brown - Rock & Roll 180g MONO LP - Strictly Limited to 2,000 Numbered Copies

Track Listing

A1: Lucky Lips
A2: As Long As I'm Moving
A3: Wild Wild Young Men
A4: Daddy Daddy
A5: Mambo Baby
A6: Teardrops From My Eyes
A7: Hello Little Boy

B1: Mama He Treats Your Daughter Mean
B2: 5-10-15 Hours
B3: It's Love Baby
B4: Sentimental Journey
B5: Old Man River
B6: So Long
B7: Oh What A Dream

Reissued in Audiophile Quality in Partnership with Atlantic Records’ 75th Anniversary: Mobile Fidelity 180g Mono LP Is Pressed at RTI and Strictly Limited to 2,000 Numbered Copies

The Dynamite Sound Of “Miss Rhythm” And The Singer That Helped Build An Iconic Label: Ruth Brown’s Rock & Roll Bristles With Electrifying Emotion, Vocal Power, And R&B-fueled Energy.

1/4" / 15 IPS to DSD 256 to analog console to lathe.

Mastered on Mobile Fidelity Sound Lab's renowned mastering system in California, pressed at RTI, housed in a Stoughton jacket, and strictly limited to 2,000 numbered copies, Mobile Fidelity’s 180g mono LP of Rock & Roll plays with an immediacy, vibrancy, and fullness that showcase the reach, power, and emotionalism of Brown’s voice. The sound of her support musicians — brassy horns, swinging rhythm combos, echoing backing vocalists, rollicking pianists, jaunty guitarists — is made clear and vivid, helping the upbeat fare to jump, juke, and jive with newfound energy and exuberance. In a related manner, Brown’s slower, more understated material crackles with an intimacy and passion that let you know you're in the presence of a woman who has lived what she sings. The longtime Rock and Roll Hall of Fame member deserves nothing less.

In an era dominated by big-throated vocalists, few — if any — came grander than Brown. The singer, whose repeat million-selling ‘50s success with Atlantic Records led many to call the then-indie label “The House That Ruth Built,” charted two dozen R&B hits in the span of a decade for the fledgling imprint. Rightly coined “Miss Rhythm,” the extroverted Brown put Atlantic on the national map, became the best-selling female musician of the ‘50s, and established a precedent that would ultimately lead to Grammy and Tony Awards. Her early works have lost none of their fire or flair.

Demonstrating what fellow legend Bonnie Raitt deemed “sex with class and dignity,” Brown merges blues and jazz, swing and gospel in electrifying fashion. She dares you not to move, dance, and get on your feet. A majority of Rock & Roll explodes with uptempo runs and jaunty readings of hot-blooded R&B numbers. Sweaty and sultry, bawdy and bold, Brown eclipses the anthemic blare of the saxophones and joyful clatter of the 88s, singing with a slight catch in her voice and hurricane-gale force that threatens to blow the roof off whatever room her voice occupies.

Throughout Rock & Roll, Brown knows the lyrical connotations and spirited architecture of the songs inside-out. Her assertive voice — never harsh, strident, or false — is the epitome of the passionate desires and sonic strains that turned into nascent rock ’n’ roll. Brown played a pivotal role in helping the style develop, the record a timeless reminder of a lasting legacy that will never be forgotten.

GAIN 2™ Ultra Analog™ System for Vinyl

GAIN 2 Ultra Analog™ is a proprietary cutting system built and designed by legendary design genius Tim De Paravicini, with consultation from one of Mobile Fidelity Sound Lab's founding fathers - Stan Ricker, an audio engineer responsible for many of MFSL's most heralded past releases.

The GAIN 2 Ultra Analog™ system is comprised of a Studer™ tape machine with customised reproduction electronics* and handcrafted cutting amps that drive an Ortofon cutting head on a restored Neumann VMS-70 lathe. (*It is worth noting that independent studies have confirmed that the GAIN 2 Ultra Analog™ system can unveil sonic information all the way up to 122kHz!)

First and foremost, Mobile Fidelity Sound Labs only utilise first generation original master recordings as source material for their releases. MFSL then play back master tapes at half speed enabling the GAIN 2 Ultra Analog™ system to fully extract the master's sonic information. The lacquers are then plated in a specialised process that protects transients in the musical signal. (Due to this process, there may be occasional pops or ticks inherent in initial play back, but as the disc is played more, a high quality stylus will actually polish the grooves and improve the sound). MFSL further ensure optimum sound quality by strictly limiting the number of pressings printed for each release. These limited editions, in addition to being collectors' items, ensure that the quality of the last pressing matches the quality of the first.

Mastered by Krieg Wunderlich at Mobile Sound Lab ®, Sebastopol, CA on GAIN 2 ULTRA ANALOG SYSTEM.

Release Information

Label: Mobile Fidelity Sound Lab – MFSL 1-548

Series: GAIN 2™ Ultra Analog LP 180g Series

Format: Vinyl, LP, Album, Compilation, Limited Edition, Numbered, Reissue, Remastered, Mono

Country: US

Released: 23 Feb 2024

Genre: Rock, Blues

Style: Rhythm & Blues, Rock & Roll